Direct link to writersurprise's post There is alot of informat, Protestant Reformation and Catholic Counter-Reformation. On the day Marie accepted Henrys hand, she probably knew the French king didnt possess her own ample treasury, yet the gruesome reality of the situation shocked her. WebWritten and illuminated in the first quarter of 16th century the Flemish book of hours of Marie de Medici represents a beautiful example of the artistic perfection of Flemish art. Thuillier, Jacques. See, Henrys philandering actually caused huge dynastic worries. This image is of, once again, Marie claiming her of regal authority yet was nonetheless the first step towards peace between mother and son. The figure adjusting the sail is thought to be Prudence or Temperance. Almost no one from King Henrys old court was happy with this turn of events, and for years they unleashed rebellion upon rebellion in an attempt to boot Marie from power. All the surrounding figures are identifiable, including the artist himself. In June 1642, a bout of pleurisy hit her, and her whole life unraveledliterally. This backfired so, so badly. tags: love , medici. The Medici Fountain was built in 1630 by Marie de Medici. Then, on May 13, 1610, he finally gave in and crowned heronly there was a disturbing reason behind this timing. [6] When Henry was assassinated in 1610, Louis XIII, his son and successor to the throne, was only eight years old. Henry's army casts the rebels out of Paris by throwing them over a bridge into the river below. Marie, in turn, showed great sympathy and support to her husband's banished ex-wife Marguerite de Valois, prompting Henry IV to allow her back to Paris. [14] The very next day (14 May), Henry IV was assassinated by Franois Ravaillac - which immediately raised suspicions of a conspiracy.[15]. Marie took her sons forgiveness as an opportunity to gain further influence at courtand to be fair, she was darn good at it. The portrait of the Queen's father, Francesco I, is on the right and faces the passageway towards Marie de' Medici's private chambers. [61][62] Also, her pet dogs are placed in the foreground of the painting. [74], The Council of the Gods is one of the least understood paintings of Marie de' Medici cycle. So in 1621, he invited her back to court in a undeniable victory for nagging mothers everywhere. Her parents, Francesco I de Medici and the Archduchess Joanna of Austria, were powerful movers and shakers in the Tuscan world, and Marie was indirectly descended from Cosimo de Medici, the father of the notorious Medici house. Feeling humiliated by the conduct of his mother, who monopolized power, the King organized (with the help of his favorite the Duc de Luynes) a coup d'tat (also named Coup de majest[20]) on 24 April 1617: Concino Concini was assassinated by the Marquis de Vitry, and Marie exiled to the Chteau de Blois. The Queen-Mother's attempts to convince Pietro da Cortona and Guercino to travel to Paris ended in failure, but during the 1620s the Luxembourg Palace became one of the most active decorative projects in Europe: sculptors such as Guillaume Berthelot and Christophe Cochet, painters like Jean Monier or the young Philippe de Champaigne, and even Simon Vouet on his return to Paris, participated in the decoration of the apartments of the Queen-Mother. Marie is shown as Juno (Greek Hera) identified by the peacocks and chariot. The representations are accompanied by their traditional attributes. Marie was an enormous patron of the arts, and she extended her wealth to a whole host of painters and sculptors throughout her life. In the Louvre, the Queen had a luxurious apartment on the first floor fitted out, then moved in 1614 to a new apartment on the ground floor, which she had adorned with panels and paintings by Ambroise Dubois, Jacob Bunel, Guillaume Dume, and Gabriel Honnet on the theme of Jerusalem Delivered of Torquato Tasso (whose translation by Antoine de Nervze was Marie's first reading in French). Husbands hiding things from wives, mothers from children, and generation from generation. They regarded Marie as a foreigner for practically her entire time there, especially when the queen could never manage to speak French fluently and continued to keep her childhood friend Leonora as one of her only bosom buddies. The Master of the Our credibility is the turbo-charged engine of our success. Although originally started but may or may not have been finished in Rome, Caravaggio's Madonna of the Rosary may well have been an artistic influence on Rubens for the Proclamation of the Regency side of this painting, as the two works are highly corresponding in their presentation. WebIf Marie de Medici wasnt the most obedient wife, she wasnt the most caring mother, either. COME ON. This antagonism benefited the court, which soon pronounced the closure of the Estates General. Like. In addition to her shabby palace, Marie also had to deal with Henrys cunning head mistress, Henriette dEntragues, who immediately despised her. Although Marie was beautiful, Henry wanted her onlyand I mean onlyfor her money. In the night of 2122 February 1619, the 43-year-old Queen Mother escaped from her prison in Blois with a rope ladder and by scaling a wall of 40 m. Gentlemen took her across the Pont de Blois and riders sent by the Duc d'pernon escorted Marie in his coach. And she was just getting started. Her son exiled her when he seized power, Marie having extended her regency beyond his attaining the age of majority. Rubens composes The Coronation in Saint-Denis for distanced viewing by employing accents of red. Henriette hadnt kept her man around this long by being sweet and docile,and she showed her true colors to Marie in a devastating way.In reference to her money as well as her curves,Henriette took to spitefully calling Marie the fat banker to her face, just in case she needed reminding of why Henry had married her. Hymen holds in his left hand a flaming torch, symbolizing the ardor of love, while Cupid extols the virtues of the Medici princess. With Amor the Cupid as his escort, Hymenaios, the god of marriage, displays the princess Marie on canvas to her future king and husband. [50], He [Rubens] surrounded her [Marie de' Medici] with such a wealth of appurtenances that at every moment she was very nearly pushed into the background. However, Marie undertook to cement the alliance with Spain and to ensure respect for the theses of the Council of Trent. [88] Fortunately, and perhaps solely due to the controversy surrounding this painting, Rubens mentioned its significance in a letter to Peiresc dated 13 May 1625. Prudence, the figure to the right of Marie, was stripped of her emblematic snake to lessen the chances any viewer would be reminded of Marie's rumored involvement in the King's assassination. Rubens was forced to remove these mythical figures and replace them with three generic soldiers. Although Maries uncle Cardinal Ferdinand was at the head of her marriage committee, he gave the young woman an unprecedented amount of choosing power, refusing to force her hand into a marriage agreement. WebThe Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. In short, Marie was in for an extremely rude awakening. [99] It can also be debated that the painting is not really about peace or security, but really an unrelenting spirit that does not give into loss. Yeah, the Karen vibes were strong with this one. Do you question the accuracy of a fact you just read? Jack Vance. In a cruel twist of fate, her son Louisher constant obsession and enemypassed less than a year after her. During and after the regency, Marie de Mdicis played a major role in the development of Parisian artistic life by focusing on the construction and furnishing of the Luxembourg Palace, which she referred to as her "Palais Mdicis". [98] She is shown with the snakes of the caduceus emblem having uneasy movement and the forced escorting of the queen by Mercury into the Temple of Peace give the feeling of a strong will not to be defeated. Born at the Palazzo Pitti of Florence, Italy on 26 April 1575,[2] Maria was the sixth daughter of Francesco I de' Medici, Grand Duke of Tuscany, and Archduchess Joanna of Austria. In a patriarchal society, that would not be wise of the young monarch to give up her political power. She gently touches Henrys shoulder and whispers in his ear, assuring him that a match with the Medici princess is indeed good for the kingdom. Close to the artists of her native Florence, Maria was trained in drawing by Jacopo Ligozzi, and she was reportedly very talented; she also played music (singing and practicing the guitar and the lute) and enjoyed theater, dance, and comedy. However, when a papal bull denied him the throne and excommunicated him, Henry of Navarre protested, starting the War of the Three Henrys. It represents the conduct of the Queen and the great care with which she oversees her Kingdom during her Regency. My dear, never give up a crown to anybody. Rule number one in queen school is to respect your crown. And if Mary gives up her crown, she looses all of her power. Four of the images are devoted to the marriage, possibly because marriage at Marie's relatively advanced age of twenty-seven was quite rare for a woman at the time. [47], Rubens is able to coalesce these characters together into a single united front. Marie's conduct was such that she forced her son to banish her from France, where she was encouraging her other son, Gaston. Henry had been sending her romantic love letters, and when he finally met the bride, he continued to lavish her with chivalry. By representing Marie as Juno, implying Henry as Jupiter, the king is seen domesticated by marriage. Peter Paul Rubens, The Presentation of the Portrait of Marie de Medici, c. 1622-1625, oil on canvas, 394 x 295 cm (Muse du Louvre). [92] Marie has reigned as regent during her son's youth, and now she has handed the rudder of the ship to Louis, the new king of France. 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